Alfabetizaciones Múltiples - Videoarte
ifd.intec
Created on September 9, 2021
More creations to inspire you
Transcript
Guía interactiva ___
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inicio_
índice_
vIDEOARTE _
vIDEOARTE _
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Conceptos claves
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Recursos
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Festivales
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Experiencias
Orientaciones
Conceptos claves
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Videodanza
Videopoema
Videominuto
Videocarta
Videominuto
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"Ben", de Kuesti Fraun
Videominutos animados
Pluma, en cuarentena, (Argentina, Ficción/Animación, 2020) Rubén Fernando Stremiz Mención especial Colectivo de Cineastas de Córdoba V Festival Internacional de Cineminutos de Córdoba (CINEMINUTO CÓRDOBA 2021). | |
Océano, (Argentina, Ficción/Animación, 2021) Sharon Olazaval Miranda, Agustina Rodríguez y Valentina C. Pantano. Universidad Nacional de Córdoba Mención especial Colectivo de Cineastas de Córdoba V Festival Internacional de Cineminutos de Córdoba (CINEMINUTO CÓRDOBA 2021). Inspirado en la fotografía de Justin Hofman, Caballito de Mar. |
Videodanza
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Videodanza e instalaciones
Videocarta
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"Correspondencia(s)", de José Luis Guerin
Videocartas
Correspondencia(s): Carta #5 para Jonas Mekas, (España, 2015) José Luis Guerin | |
Videocarta (Ecuador - 2011) Melina Wazhima | |
Videopoema
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(...), la principal función del videopoema es demostrar el proceso de pensamiento y la simultaneidad de la experiencia expresada en palabras – visibles y/o sonoro – cuyo significado está mezclado con la imagen y el sonido sin estar ilustrado por ellos.
Tom Konyves
Art Film GIF por Jorgemariozuleta
Videopoesía y animación
Hacer clic en la imagen para visualizar
Para conocer más sobre el programa televisivo Susurros y altavoz de Canal Encuentro:
Festivales
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| Mariela Yeregui | Artista electrónica cuyo trabajo incluye instalaciones interactivas, video instalaciones, net.art, intervenciones en espacios públicos, video-escultura e instalaciones robóticas. Licenciada en Artes (UBA), egresada de la escuela de cine del INCAA y magister en Literatura en la Université Nationale de Côte d’Ivoire. Es directora de la Maestría en Artes Electrónicas de la Universidad Nacional de Tres de Febrero (Argentina). Realizó residencias en el Hypermedia Studio Universidad de California en Los Ángeles (UCLA), en el Banff Centre for the Arts (Canadá), en el MECAD (Media Centre d’Art i Disseny (Barcelona, España) y en el Stiftung Künstlerdorf Schöppingen (Alemania). Ha sido jurado en el Festival Ars Electronica, categoría “arte interactivo”, 2012. Para conocer más sobre la artista: |
| Gabriela Golder | Artista visual, curadora y profesora en la Argentina y en el exterior, es también codirectora de la Bienal de la Imagen en Movimiento (BIM) y curadora de El cine es otra cosa, ciclo de cine y video experimental del Museo de Arte Moderno de Buenos Aires. Realizó sus estudios de grado en la Universidad del Cine y un Master en Hypermedia en la Université Paris VIII. Es profesora titular en la Carrera de Artes Electrónicas y en la Maestría de Tecnología y Estética de las Artes Electrónicas de la Universidad Nacional de Tres de Febrero y en la Universidad del Cine. Su obra ha sido exhibida en instituciones de Argentina, Bolivia, Brasil, Colombia, Cuba, Estados Unidos, Indonesia, Inglaterra e Italia. Para conocer más sobre la artista: |
Andres Denegri | Artista visual argentino que trabaja principalmente en cine, video, instalaciones y fotografía. Se graduó en la Universidad del Cine, Buenos Aires. Es profesor de la Universidad Nacional Tres de Febrero, donde creó y dirige CONTINENTE, centro de investigación y producción dedicado al apoyo y difusión de las artes audiovisuales. También es codirector de la Bienal Imagen en Movimiento (BIM) y curador invitado de películas y videos del Museo de Arte Moderno de Buenos Aires. Ha realizado residencias de artistas en Colombia, Serbia, Canadá y Estados Unidos. Los proyectores de cine vintage son los protagonistas de muchas de las instalaciones de Denegri. Para conocer más sobre el artista:
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Experiencias
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Videominuto
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Videopoema
Videocarta
Experiencias presentadas en Menciones PIED 2020
Este certamen está organizado por el Ministerio de Educación e Innovación de la Ciudad de Buenos Aires y está dirigido a supervisores, directivos y docentes de las escuelas correspondientes a Nivel inicial, primario y secundario impactadas por el Plan S@rmiento BA.
El objetivo de Menciones PIED es promover la calidad educativa mediante la integración de proyectos y experiencias innovadoras que incluyan procesos de enseñanza y aprendizaje en los que se desarrollen competencias y habilidades de Educación Digital.
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ESEA en Danza N° 1 D.E. 20 "Prof Nelly Ramicone" Video realizado con alumnas del 1er año de Iniciación de la carrera de Intérprete en Danza Clásica y Contemporánea de la ESEA en Danza N°1 “Prof. Nelly Ramicone” en la asignatura Danza Clásica. | ESEA en Danzas N°1 D.E 20 "Prof. Nelly Ramicone" Video realizado con alumnas del 3er año de la carrera de Intérprete en Danza Clásica y Contemporánea. Este proyecto surgió desde la necesidad de bailar todos/as lo mismo, sin un mismo lugar. Este trabajo se realizó con la finalidad de poder compartirlo a toda la comunidad educativa y la sociedad en general. |
Experiencia de la Licenciatura en Danza de la Universidad de Antioquia, Colombia
Minuto Lumière
Los Minutos Lumière se inspiran en las vistas documentales de los hermanos Lumière, filmadas hace ya más de un siglo: "La salida de la fábrica", "La llegada del tren", "La comida del bebé" etc.
Son planos de un minuto de duración, realizados a partir de unas condiciones: se dispone de una única toma, la cámara tiene que permanecer fija (con trípode) y durante la filmación no se puede modificar ningún parámetro.
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Experiencias presentadas en Menciones PIED 2018
“Gratitud - Ciberpoesía con Andiamo”
Este proyecto estuvo dirigido a los/as estudiantes de 4° 3°- 2018 que transitan el ciclo orientado en Artes Visuales con orientación Cerámica de la ESEA en Cerámica N°1, CABA.
La experiencia propuso la exploración de nuevos modos de entender y construir una obra a partir de la diversidad multimedia.
Se produjeron poesías que fueron narradas y grabadas, luego dibujadas con la herramienta de dibujo en vivo “Andiamo” y por último se ensamblaron ambas producciones en un soporte audiovisual. La experimentación de diferentes lenguajes (visual, poético, programación) para sus producciones artísticas se presenta como desafío para indagar en el proceso creativo: ¿qué quiero decir? y ¿cómo lo quiero decir?. Desde esta perspectiva los interrogantes se ofrecieron a los estudiantes como herramientas creativas y constructivas.
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| Gratitud por Kimberly | Gratitud por Ailin |
Videocarta
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Recursos
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INSHOT es una aplicación para la edición de videos en el celular
La aplicación se puede descargar y utilizar de forma gratuita, y ofrece una amplia variedad de funciones útiles. Es posible descargar esta aplicación desde Google Play o App Store. |
Edición de video en INSHOT
Para comenzar a editar un video, vamos a la opción "Videos" en esta pantalla. |
En "Nuevo", tendran la opción de elegir qué videos o imágenes usar para crear y editar su video. Pueden elegir videos y fotos al mismo tiempo, ya que todo estará en formato de video al final. |
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Clipchamp es un editor de vídeo gratuito, que posee plantillas para realizar videos o la posibilidad de realizarlo libremente. |
Tiene comandos simples de edición en video, y en la versión gratuita permite exportar en video en formato mp4 con una resolución de 480p y en formato GIF en 240 p. |
Orientaciones para la realización de un proyecto audiovisual
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talleres
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Reflexionar sobre:
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Idear
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- ¿Qué queremos contar en nuestra obra audiovisual?
- ¿A quién o quiénes va a estar dirigida?
- ¿Qué formato va a tener?
- ¿Cómo va a ser la realización del video?
- ¿Qué géneros vamos a abordar?
Dentro de una dinámica grupal de intercambio de ideas se pueden utilizar pizarras digitales colaborativas, como por ejemplo Jamboard, para volcar ideas y bocetos. |
Luego y en base a lo intercambiado pueden escribir una descripción breve del proyecto en un documento colaborativo, como por ejemplo, Google Docs. |
Preproducir
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Incluye diálogos, acciones y descripción de escenas
en tiempo y espacio.
Imagen de ejemplo de guion literario
Transcripción en planos del guion literario. Incluye indicaciones de encuadres y movimientos de cámara.
Imagen de ejemplo de guion técnico
Es una representación secuenciada y gráfica de la historia. Se lo llama también “guión gráfico”.
Imagen de ejemplo de storyboard
Plano | Unidad mínima de lenguaje Encuadre, enfoque y posición de cámara determinados |
Plano General | |
Plano Americano | |
Plano Medio | |
Primer Plano | |
Plano Detalle | |
Escena | Conjunto de planos. Mismo tiempo y espacio en el relato audiovisual |
Secuencia | Grupo de escenas con una misma unidad narrativa |
SECUENCIA
Armado de equipo de trabajo, para distribuir las tareas durante el proyecto. Algunos roles pueden ser: cámara, sonidista, luces, etc. | |
Equipamiento técnico chequeado (cámara, trípode, luces, micrófono, batería, memorias) | |
Contactar previamente a las personas involucradas que aparezcan frente a su cámara y pedir su consentimiento escrito para la utilización de su imagen y voz. |
Producir
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- Establecer propósitos claros.
- Tomar en cuenta las condiciones lumínicas y sonoras de la locación.
- Prever la orientación de la cámara en función de las posturas y el lenguaje corporal de quienes serán filmados/as.
...el correcto guardado y etiquetado del material sonoro y visual. En el caso que se permita tener un copia de respaldo en la nube, a la cual solo tengan acceso los y las integrantes del equipo.
Editar
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- Ordenar los planos y secuencias para otorgar un sentido narrativo a partir de la idea original.
- Jugar con la composición visual entre planos.
- Ver todo el material grabado y elaborar el guion de edición indicando, por ejemplo, donde hacer los cortes, cuales serán las transiciones, donde habrá sonido, etc.
- Puede haber más de una versión final, con subtítulos, en distintos formatos, etc.
- Editar video - transiciones y efectos
- Mezclar y sincronizar audios
- Musicalizar
- Diseñar los elementos gráficos y los créditos
- Subtitular
- Corregir color
Socializar
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- Carpetas con acceso exclusivo para un grupo determinado.
- Canales de video.
- Aulas virtuales.
- Blogs y/o sitios institucionales de la Escuela.
- Murales digitales.
- Difusión a través de redes sociales.
| Sitios | Tutoriales en el Campus Virtual de Educación Digital |
| Enlace al tutorial de Vimeo | |
| Enlace al tutorial de One Drive | |
| Enlace al tutorial de Dropbox | |
- Deleuze, G.(1991). La imagen‐movimiento. Estudios sobre cine 1, Paidós, Barcelona.
Referencias bibliográficas
- Konyves, T. (2011). Videopoesía: Un Manifesto.
- Kozak, C. (2012). Tecnopoéticas argentinas: archivo blando de arte y tecnología. Buenos Aires: Caja Negra.
- Zuzulich, J. (2016) La imagen que desborda. viaje. diario y videoarte. UNTREF.